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How We Made It: Brother SKITCH Case Study
Before the cameras rolled on Brother SKITCH, we’d already started building the film in 3D.
This behind-the-scenes look shows how LiDAR scans, NeRFs and previsualisation helped us plan robotic camera movements before a two-day shoot on RED cameras, followed by VFX, motion graphics and sound design in post. The campaign went on to be released in nine language versions across Europe.